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An Excerpt From: GETTING BACK TO DELANEY
Copyright © CHRISTIE WALKER BOS, 2008
All Rights Reserved, Ellora's Cave Publishing,
Inc.
Tyler watched as Delaney walked away, her black
skirt twitching seductively with every click of her heels. She was
beautiful all right, but too uptight for his taste. He liked his women down
to earth, like his ex-wife Clarissa. She had been a free spirit—a little too
free. He had taken her to a folk music concert in Yosemite National Park
and the next thing he knew she was gone—run off with a guitar player from
one of the bands.
This woman was
nothing like Clarissa. Except for the playful splash of freckles across her
petite nose, the woman seemed wound as tight as her hair. Her eyes had
flashed once when he made his comment about the purple painting, reminding
him of the elusive green flash that sometimes occurs when the sun sets over
the ocean. There was fire in those eyes, he thought, and probably an Irish
temper to go along with it.
Seeing her—with
her tailored suit, perfect makeup and not a hair out of place—he understood
why the gallery was so sterile. And way too white. Except for the
paintings, everything was white. The walls were white, the counters were
white, even the wooden floor had been whitewashed. He had to admit she did
have an eye for art, except of course for the purple blight, which seemed
so out of place with everything else.
He took his
time walking in and out of the small, walled-off rooms, making mental notes
about what he did and did not like. He found a rack of cards, prints of
many of the pieces on display, and decided to buy several to show his
brother the type of art she had in her gallery.
He pulled the
cards from the rack and walked over to Delaney’s office. He stopped in the
doorway as he pulled his wallet out of his back pocket before looking up.
The decor of the small room surprised him.
If the gallery
was the Arctic Circle, her office was the
Tropic of Cancer—warm, inviting and comfortable, with little potted plants
adding their fading greenery to the room. Here the floor was bare of paint
and the rich wood grain reflected the warm glow of a Tiffany lamp that sat
on the oak desk in the center of the room. The walls were painted Tuscany gold and an
organic wall hanging made from a dozen earthen-colored yarns and cords hung
on the wall directly behind her. The woman’s head was bent down over her
paperwork so she didn’t notice him standing in the doorway. The lamplight
softened her features, enveloping her in a warm glow. He could hear her
humming and as he listened, he recognized the melody of an old Moody Blues
song, “Nights in White Satin”.
Maybe she isn’t as uptight as I thought.
Tyler shifted his weight, causing a floorboard
to creak and alerting Delaney to his presence. She looked up suddenly,
taken aback by Tyler’s
seemingly sudden appearance.
“Sorry, didn’t
mean to startle you. I wanted to buy these,” he said, waving the note cards
in the air as evidence.
“Oh, okay.” Delaney
looked at her black heels left abandoned to the right of the door and
remained seated.
Tyler followed her gaze, saw the discarded
shoes and couldn’t help but smile. When he looked back, she had crossed her
ankles and tucked her feet far under her chair.
She’s not going to get up without her shoes.
Walking over to
the desk, Tyler
opened his wallet and pulled out two twenty-dollar bills. He watched as
Delaney went into sales mode, counting the cards and adding up the cost.
“Ten cards at
three dollars each is thirty dollars plus tax, which comes to thirty-two,
thirty-three. You wouldn’t happen to have exact change, would you?”
Tyler smiled. He thought it amusing that she
wasn’t willing to walk to the cash register without her shoes.
“I can come
back to get the change another day,” Tyler
suggested. “I live in the neighborhood.”
As he spoke,
his eyes were drawn to the woven wall hanging mounted behind her. He walked
around the desk to have a closer look.
“Hey. What are you
doing?” Delaney twisted in her chair.
“This is
amazing. I’ve never seen anything quite like it. Is it for sale?”
Delaney seemed
taken aback. “For sale? Why no,” she stuttered.
“That’s too
bad. I really like this.” He ran his hand over the swirls of yarn. “It’s
modern yet earthy. Do you have a way of contacting the artist? My brother
might be interested in something like this.”
“I’ve had that
old weaving since college. I’m sorry, but I don’t have the artist’s
information anymore.”
The way her
voice became high and tight made Tyler
think she was lying but he didn’t question her any further. He wasn’t being
one-hundred-percent truthful either. While he was in the habit of
asking people about their businesses, this was more than professional
curiosity. His brother was opening a new gallery across the street on the
same block and had asked Tyler
to check out the competition. He was pretty sure this woman wouldn’t be
pleased when she found out about a new gallery opening up on the same
block.
And if he
had anything to do with it, the place would be an instant success—at least
that’s what his brother had told him when he begged him to create the
marketing plan.
He felt a
little bad for not being honest but it was just business. Besides, he
rationalized, there was no reason why both galleries couldn’t be
successful. She had a nice little place, too modern and sterile for his
taste, but very professional. It reminded him of the other gallery he had
visited over on Main Street.
Some German guy with ultra-modern paintings, which were so large they took
up entire walls. He hoped his brother’s gallery wouldn’t be anything like
that or he’d have a hard time figuring out how to promote it. Delaney’s
voice interrupted his thoughts.
“Mr. Szymanski,
it’s getting late.”
Tyler understood her unspoken request.
“Of course.
Thanks for letting me snoop around. I’ll be back for my change later next
week.”
Tyler left her office, note cards in hand,
his mind already tackling the details of his brother’s new business. He
walked out the gallery door, tucked the cards into a pocket of his board
shorts and then picked up his bike. Before climbing aboard, he paused a
moment and took one last look into the brightly lit gallery. As he was
checking out a large painting in the front window, movement deeper inside
caught his eye. The gallery owner was running from her office toward the
front door in her stocking feet. Almost there, she stopped running and went
into a full slide, coming to a stop in front of the door. He heard the
click of a deadbolt and then watched as she walked back to her office.
Definitely not as uptight as I thought.
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